Hollywood debated the potential of YouTube stars in cinema for years. Recently, the industry got its answer.
“Backrooms,” a psychological horror film distributed by A24, debuted in 3,400 theaters across the United States and Canada. Kane Parsons, a 20-year-old novice with 342 million YouTube views, directed the film. Box office projections suggest it will earn at least $60 million by Sunday.
For context, Steven Spielberg’s sci-fi film “Disclosure Day” is expected to make $35 million at its upcoming opening. A24 produced “Backrooms” with a budget of $10 million. It features actors Chiwetel Ejiofor and Renate Reinsve. In contrast, Universal Pictures invested $115 million in “Disclosure Day,” starring Emily Blunt.
“Backrooms” reflects a trend of new directors moving from YouTube to filmmaking outside Hollywood’s traditional paths. Creators like Curry Barker and Mark Fischbach have also generated surprise hits this year.
Stephen Galloway, Dean at Chapman University’s film school, described this as a fundamental shift in cinema, labeling these directors as the cinematic insurgents of today.
Curry Barker’s film, “Obsession,” accumulated $74 million in North America over two weeks. The film, a comedy-horror-thriller about romantic fixation, cost $750,000 and featured no mainstream actors. Analysts predict it might reach $100 million by the end of its run.

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