Olivia Wilde’s ‘The Invite’: A Witty Chamber Comedy

Olivia Wilde’s chamber comedy, “The Invite,” offers more than just a dinner discussion. The film centers on a couple, Joe and Angela, whose strained marriage leads them to invite their upstairs neighbors for an impromptu gathering. Such a setup is classic in theatrical and cinematic storytelling. It’s reminiscent of “Who’s Afraid of Virginia Woolf?” as it promises a blend of quips, romantic gestures, and marital confessions in a contained setting.

Despite predictable elements, “The Invite” employs clever timing and strong performances to provide a modern take on the comedy of manners. Unlike the imperfect dinner, the film is skillfully crafted. This movie marks Wilde’s third directorial effort and stands out as her best, demonstrating her understanding of the material. Previously, she directed the high school comedy “Booksmart,” followed by “Don’t Worry Darling,” a less successful attempt.

Comedy seems to suit Wilde better, highlighted by her standout comic performance in “The Invite.” Initially, Joe (Seth Rogen) and Angela (Wilde) return to their San Francisco apartment in contrasting ways. Joe struggles home on a foldable bike, while Angela gracefully shops for flowers and food. Tension between them arises when Joe discovers their daughter is at a sleepover and neighbors are invited for dinner. Angela’s intent to impress is apparent with her meal preparation and new attire.

Joe plans to address a noise complaint concerning the neighbors’ morning activities. However, Angela insists on the social benefits, deeming the sounds “spectacular orgasms.” The couple’s argument is interrupted by the bell, as neighbors Pína (Penélope Cruz) and Hawk (Edward Norton) arrive, sensing the charged environment. Hawk’s response, “We love a contentious environment,” sets the tone for the evening.

The screenplay by Rashida Jones and Will McCormack adapts Cesc Gay’s 2020 film “The People Upstairs.” The neighbors, Hawk and Pína, embody conspicuous attributes. Hawk, a firefighter, and Pína, a glamorous psychotherapist and sexologist, possess a harmony the hosts lack. Their contrasting dynamics with Joe and Angela create entertaining exchanges.

Much of the focus lies on Angela’s emotional state. Wilde captures her as an anxious character concealing her insecurities. Her performance highlights the contrast with the neighbors’ apparent harmony. A notable moment is her swift discard of a burnt soufflé, showcasing her neurotic energy.

The dialogue blends personal subjects with lighter themes, keeping the audience engaged. Despite a reliance on heavy music, Wilde captures the tension in the air. The film’s title refers to an unexpected evening offer, as the neighbors reveal their all-night gatherings are sex parties. Pína and Hawk’s proposition for a multiparty encounter piques Angela and Joe’s curiosity.

While explicit themes are explored, the underlying message pertains to relationship stagnation. Joe, once a musician with a hit song, no longer plays the piano. Wilde, whose surname pays homage to Oscar Wilde, incorporates an opening quote from the literary figure: “One should always be in love. That is the reason one should never marry.” However, “The Invite” does not dismiss monogamy. It calls for openness to change and new experiences.

Hawk, played by Norton, provides a poignant insight into relationships. His character transforms from a potential punchline into an endearing figure. Norton’s performance highlights the balance of humor and depth, contributing to the film’s charm. Rated R due to its themes, “The Invite” creatively explores relationship dynamics over its 107-minute runtime, earning three and a half stars out of four.