Sylvan Esso Returns to Spotify: Navigating the Complexities of Music Streaming

Sylvan Esso, an electro-pop duo formed by Amelia Meath and Nick Sanborn, has released their fifth studio album titled Ow ∞ on September 11 through their label, Psychic Hotline. In addition to the album release, they brought their entire catalog back to Spotify on September 18, following a year-long hiatus from the platform.

Controversial Exit from Spotify

In September 2025, Sylvan Esso attracted attention by removing their music from Spotify. Concern grew after revelations about Spotify’s CEO, Daniel Ek, investing in Helsing, an AI company developing military systems. This decision followed similar actions by other indie artists, who removed their work from Spotify in protest.

Challenges Faced During Absence

Removing themselves from Spotify introduced significant challenges. Meath explained that removing their catalog created a barrier to accessing their music. Fans often rely on streaming platforms to discover new music; without Spotify, many simply moved on to other available content.

Sanborn acknowledged the financial impact, stating they felt the economic strain significantly. Spotify’s absence affected every aspect of their career, including ticket and physical sales. Their removal underscored the pervasive influence of major streaming services on music distribution and consumption.

Decision to Return

After re-evaluating, the duo returned their catalog to Spotify. They emphasized the desire for their music to reach as many people as possible. Despite their previous decision to leave, they realized staying off Spotify was unsustainable. They also wanted to avoid the platform dominating the narrative of their album release.

Reflections on Protest and Activism

Their protest highlighted broader discussions about the effectiveness of individual actions. Sanborn expressed mixed feelings about protests, questioning their tangible impact. However, they have valued the feedback from fans who recognized their efforts, even inspiring them to reconsider their Spotify subscription.

When asked about advice for other artists considering similar actions, Meath highlighted that boycotting Spotify involves significant financial penalties. It imposes logistical issues that few can afford.

Supporting Artists in the Streaming Era

On how to support artists ethically and financially, Meath emphasized purchasing music and merchandise. Sanborn pointed out the importance of buying concert tickets in advance, as projections help artists manage and budget tours.

Looking Forward

Sylvan Esso’s journey reflects the challenges and complexities musicians face in the digital age. They hope their story encourages dialogue about fair compensation and ethical practices in the music industry.