A Stirring Performance of ‘Mexodus’ at the Studebaker Theater

Brian Quijada, co-creator of the acclaimed musical ‘Mexodus,’ has quite a history. Growing up in Glenview and later Highwood, he attended Highland Park High School. In his early career, he worked in the off-Loop Chicago theater scene, including a stint at Teatro Vista. I met him a few times years ago. Recently, Quijada has taken on the world stage, appearing like a rock star at the Studebaker Theater alongside his talented writing and performing partner, Nygel D. Robinson.

‘Mexodus,’ a two-person show fresh from its successful off-Broadway run, began a national tour, stopping at the historic venue in downtown Chicago. The show is a Teatro Vista co-production. This tour is unique, operating largely outside the standard Broadway circuit. It’s personal and political, yet full of spectacle and artistry. The audience’s enthusiastic response on Sunday night was fully warranted, and the tickets were sold to actual patrons, not just opening-night supporters.

The show, cleverly named, not only references historical events but also modern ones, blending in themes from Brexit and Megxit. It explores the lesser-known southern routes of the Underground Railroad, which led some 5,000 enslaved people from South Texas to freedom in Mexico. The narrative follows an escapee, portrayed by Robinson, who meets a skeptic rancher, played by Quijada. Together, they face both natural and human challenges, discovering their commonality over 90 minutes.

‘Mexodus’ impresses not just with its storyline but with its musical prowess. The performers play a wide range of instruments, including piano, trumpet, and accordion. Robinson’s tenor voice blends with Quijada’s introspective tones. Some music is live-looped, a Quijada specialty, adding a unique touch. The diverse score, quality musicianship, and lively singing stand out.

The duo interacts directly with the audience throughout, ensuring engagement and entertainment. The show feels intimate yet thrilling, reminiscent of productions like ‘Stomp’ and ‘Bring in ‘Da Noise, Bring in ‘Da Funk.’ These older theater-concert hybrids focused on the audience experience, encouraging participation and delivering an exceptional time.

‘Mexodus’ also carries a social message, advocating for Black and Latino collaboration to shape a renewed America. It has the potential to resonate with progressive leaders and could parallel the influence ‘Hamilton’ had during the Obama era. Still, it remains accessible to audiences who appreciate the vibrant talent of the performers. That balance of engagement and entertainment is truly captivating.

Chris Jones is a Tribune critic. You can reach him at [email protected].

Review: ‘Mexodus’ (4 stars)
When: Through Nov. 21
Where: Studebaker Theater in the Fine Arts Building, 410 S. Michigan Ave.
Running time: 1 hour, 30 minutes
Tickets: $36-$123 at fineartsbuilding.com