The Turning Point USA ‘All-American’ Super Bowl halftime show on Sunday drew mixed reactions from viewers. The show, featuring performances by Kid Rock, Brantley Gilbert, Lee Brice, and Gabby Barrett, was streamed live on YouTube, running concurrently with the official Super Bowl halftime show starring Bad Bunny.
The alternative show was viewed by millions, with YouTube streams reaching up to 5 million views. While many celebrated the showcase for its patriotism and different musical lineup, others expressed disappointment. Some detractors criticized the show’s overall impact, specifically pointing to Kid Rock’s vocal performance.
“Turning Point USA’s ‘All-American Halftime Show’ also included a tribute to the organization’s founder, Charlie Kirk, commemorating him with a message and images of his family.”
Not all critiques were aimed solely at the Turning Point event, with country star Kacey Musgraves publicly expressing her preference for Bad Bunny’s performance. In contrast, influencer Jake Paul voiced opposition to Bad Bunny’s halftime show, criticizing both the artist and the spectacle, while encouraging fans to boycott the performance.
Paul took to social media to express his concerns, emphasizing that viewers have the power to influence media and corporate decisions. “Purposefully turning off the halftime show,” he wrote, advocating for a viewer-driven response to corporate choices.
The show sparked passionate reactions from both sides, with supporters describing the event as ‘awesome’ and ‘patriotic,’ and asserting that the artists delivered impressive performances. Conversely, critics attacked the show, claiming the artists, particularly Kid Rock, did not deliver strong vocals.
The divide extended to public perceptions of the main Super Bowl halftime show as well. Some viewers preferred the Turning Point USA performance, while others were staunch advocates of Bad Bunny’s set.
Sarah Sotoodeh, an associate entertainment editor for Fox News Digital, presented diverse reactions to the event, highlighting the polarizing nature of the two performances.

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